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Half of a Yellow Sun -The Summary

Within the period of the 1960s, Nigeria episode of the civil war was encapsulated in the book half of a yellow sun. The book begins when Ugwu, an Igbo boy from a bush village, goes to Nsukka to work as a houseboy for Odenigbo, a professor and radical. Odenigbo is in love with Olanna, the beautiful daughter of a wealthy Nigerian. Olanna moves in with Odenigbo and meets his friends, who argue about politics every night. Ugwu becomes an excellent cook and goes to school. Meanwhile Richard, a white Englishman in Nigeria, leaves his girlfriend Susan when he falls in love with Kainene, Olanna’s sardonic twin sister. Richard moves to Nsukka and befriends Odenigbo and Olanna. Odenigbo’s mother “Mama” visits and calls Olanna a witch, which upsets her greatly. Olanna and Odenigbo start trying to have a child. The narrative jumps a few years ahead, when the Nigerian government is overthrown. The Northern Hausa blame the Igbo for the coup. There is then another coup, and this time many Igbo sold

The Role Of The Artist/Oral Performer In Oral Literature

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He's the composer or performer who communicates the oral artwork directly to his target audience. The variant forms in appearing arises consistent with target audience and event - the reactions coming from the listeners.  The evolutionist who studies human subculture believed that a chunk of oral literature (particularly folktale) had surpassed via many generations of transmission that it changed into not viable to talk of 1 single creator. this is arguable for a closer observe the oral artist in specific situation shows some degree of creative ingenuity that went into oral performance. even though the impact of human beings is that oral art become a skill typically possessed through members of a community, they arrive with the statement ‘anybody within the village can tell a story’. The assertion can be right but makes no experience for it will no longer be suitable to mention that, any educated character can write a poem or a novel.  Oral artist even though is exposed to the

Oral Performance

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The oral art as well as the context or surroundings worried in the shipping of oral literature brings out its splendor. Its is the artist in motion. The factors concerned for the success consists of: the audience, performer and performer’s dramatization of the numerous mode of a tale. it is inside the performance that we are able to see the critical individual of oral literature as distinct from written literature. Oral literature as an art shape created in the presence of an audience as towards the privacy of a written literature.  overall performance differs one from the opposite depending on the elements like: age, the type of  occasion (marriage, burial rite) the setting (open square, shrine, cult) whether or not any musical accompaniment are used specially by means of the performer and whether or not it is a solo or a group performance. even though, oral literature is such added via phrase of mouth, however there must be certain attraction now not simplest in what the performer

Ritual Poetry In Oral Literature

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Is a verbal artwork that is done. It consists of: Ifa divination and incantation. Ifa divination is executed via the diviner for the devote or those who come to seek advice from Ifa oracle both on a problem of their lives. The Yoruba human beings agree with on Ifa as repository of conventional body of knowledge embracing history, philosophy, remedy and folklore. The content of poetry includes: The declaration of human hassle, desires and hopes, testimony of ways human beings in the past had reacted to this trouble and references is made to the sacrifice which the protagonist is expected to offer. Incanatory Poetry  Incanatory Poetry or attraction is a appeal or spell created the usage of words. An incanatory may additionally take region all through ritual, both a hymn or prayer can be stated to invoke or reward a deity. In magic, occultism, and withcraft, incanatory may be used with the aim of casting spell on item or character. sorts of ORAL PROSE  The styles of oral prose cons

Genres Of Oral Literature

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Oral literature embraces all elements of lifestyles, way of life, stories, video games and so it's miles on occasion called folklore. The category of oral literature can be grouped into Poetry, Prose and Drama. forms of Oral Poetry  this could be classified into : ritual (that's executed) and non ritual. One component to observe is that, the type of oral literature is bendy. Oral poetry includes: praise poetry, topical poetry, spiritual poetry, occupational poetry, heroic poetry, epic, incantations & Lullaby, Proverbs, riddles. Non Ritual Poetry consists of: Lullaby, proverb, riddles, elegy, topical poetry, occupational poetry, spiritual, nuptial and reward poetry including: courtroom poetry, euology, panegyrics and heroic poem. there is no oral poetry that does not include oral reward. praise poetry is the celebration of distinctiveness in a person or aspect. It comes in shape of praises and etiquette that is used to explain someone, starting place, power, wealth o

Means Of Transmission And Style Of Oral Literature

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Oral literature is delivered by word of mouth before an audience. This word of mouth medium presentation implies that oral literature makes its appeal first through the sound of words that reach the ears of the audience and only secondary through the meaning or logic examined in these words. The importance of this sound may be seen on the fact that even in the more intimate or limited types of oral performance such as divination poetry,  the listener at least is expected to hear the texts being recited by the diviner to know clearly the way in which he is supposed to participate in the whole process. The aesthetic or beauty of oral literature can be seen in the style the artist uses. Such as: repetition, ideophones, digression imagery, allusion, symbolism and others. Repetition This is one of the most fundamental characteristic features of oral literature, it not only give a touch of beauty or aura quality to a piece of oral expression but serves certain practical purpose in t

Nature Of Oral Literature

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Nature of oral Literatue Oral literature having many phrases for its identify portrays in maximum instances the subculture and way of life of humans and it's far handed via phrase of mouth from one era to the other. Oral literature is characterized to encompass the followings: -       overall performance -       Fluidity -       Orality -       P erformer (artist) -       target market  Oral literature brings out its splendor simplest when it's far finished. until oral literature is performed it isn't appreciated. This feature makes oral literature distinct from the written one, when you consider that it's miles an artwork form created and finished inside the warm presence of an target audience. overall performance differs one from the other depending on such factors as: the age of the target market, the nature of the occasion, the form of setting and so on. some of the less difficult forms of performance must do with video games played at some point of relaxa